The Gallery For Quality Art

A:  Rm 2003, Keen Hung Commercial Bldg 

     80 Queen's Road East, Wan Chai,

     Hong Kong  (By Appointment Only)                     

T:   +852 2561 5342

​E:  info@boscohong.hk

Monday - Friday:   10:00 - 17:00

Closed on Weekend and Public Holidays

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Solo Exhibitions

 

2017    L'illusione di Dedalo, Italian Cultural Institute, Cologne Curator: Massimo Bignardi

2016    L'illusione di Dedalo, Centro Luigi di Sarro, Roma Curator: Massimo Bignardi

2016    ECO-, Fornace Falcone, curator Massimo Sgroi

2016    Genius Cinque, Amarelli Showroom, curator Gianni Nappa

2015    Un'idèè de Paris, Institut francais Naples, curators Chiara Reale and Lara Carbonara

2013    Urban Stories, MARTE, Cava dei Tirreni. Curator: Ada Patrizia Fiorillo

2011    Acque d’Italia, Federico II University, Naples

2011    Città in istanti, Siena University. Curator: Massimo Bignardi, Federica Marras

2010    Cover, Madre museum, Naples

2009    Acque Chiare, Palazzo Sasso – Ravello. Curator: Massimo Bignardi

            Giramondo, Foundry, London. Curator: Pasquale Ruocco

            Aereo, Largobaracche, Naples, Curator: Valentina Rippa

 

Group exhibitions

 

2017    Doni, Authors from Campania, Fondazione Luciano Benetton, Zisa Palermo, Curator: Chiara Pirozzi

2016    IL TUTTO è Più DELLA SOMMA DELLE SUE PARTI. San Benedetto del Tronto, Curator: Maria Letizia Paiato

2015    13 x 18, La casa di Schiele, curators: Sara Cancellieri, Igor Verrilli

2014    I  C  O  N  A Proposte per un’iconografia del contemporaneo,

            La donazione dell’Open Space FRAC Museum, Baronissi, curators: Alice Ioffrida, Martina Soricaro,

            Giacomo, Cristian Lombardi

2014    Mantegna Cercasi Award, Confcommercio Mantova. (Shortlisted)

2014    Centre-Periphery Award, curated by Federculture, Terme Diocleziano, Rome. (Shortlisted)

2013    Iside contemporanea, ARCOS Museum, Benevento. Curator: Ferdinando CretaTrames tramites,

            Council of ministers Porta degli angeli, Ferrara

2012    NINA, PAN museum, Naples. Curators: Cassese, Di Capua, Rivosecchi

2011    54 Venice Art Biennal, Region of Campania pavilion. Curator: Vittorio Sgarbi

2011    Nuove rotte della pittura, Ancient navy yard museum, Amalfi.  Curator: Pasquale Ruocco

2011    Oleum, FRAC museum, Baronissi. Curator: Massimo Bignardi

2010    Razzano award, exhibition of selected artists, ARCOS museum, Benevento

2010    Explorart, Areaodeon, Monza. Leading artist: Isidro Blasco

2009    Impresa da talenti, PAN museum, promoted by Union of Industrialists, advanced services section, Naples                     Curator: Maria Savarese

2009    Eruzione/eruption, White box gallery, New York. Curators: Giuseppe Ruffo and Pietro Tatafiore     

2008    Ceres 4 art, Milan

2007    13x17, curators: Philippe Daverio and Jean Blanchaert

2007    Il viaggio, TRIP, Naples. Curators: Graziella Lonardi Buontempo, Ninì Sgambati, Emanuela de Cecco,

            Derek Hudson, Grazia Neri, Stefano De Stefano, Giulio Baffi, Pasquale Esposito

2005    Notes, Villa Rufolo, Ravello. Texts by Adriana De Manes

2002    Anatomie, in celebration of the Academy of Fine Arts 250th anniversary, Naples

1999    Il sentiero degli dei. Documenti ’99 Agerola. Curator: Massimo Bignardi

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Mary Cinque

     United Kingdom

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About Mary Cinque

 

I use to draw since I was a little child, I can’t imagine staying for a long time without drawing and it gets me sick when I’m forced to stay for a while without a pencil or a pen or a marker in my hand. Maybe it is a way to try to understand the world, to capture what I see and what I’m not able to realize. Not yet, at least.

I believe in the power of the people to change the world and my aim is to do an art that reinforces in people the confidence that our actions can make a difference. The voyages influence my work and my conception of inhabitants of the world. I believe in people and in their need to connect each other, through nets. The city is my favourite net.

Some people say once you have been in Africa you will always miss Africa and wish to return there. This sickness has even a name: Mal d'Afrique. I believe I have a slightly different kind of Mal d'Afrique: mine is not the mere nostalgia of the astonishing contexts in which I spent part of my childhood, mine is the need to travel, breathe a foreign air, feeling lost for a while and then becoming close to new people, exchanging views with them and learning from them. Communication is not “Either you understand my art or you don’t”, communication is correspondence, empathy, stimulus, things that make the world go round.

I think people need Art, they need to do art and to see works of art. We are living in a world obsessed by money and speed and we forgot what we really need to feel better. In my opinion we need simple things.

 

I inquire into the city because I believe it represents the will of human being, his way of thinking about himself and show himself to the others, it also represents the relations between people and things and relationships. Through my works I'd like to invite who look at them to complete the works by himself, with his/her intuition, his/her feelings about them.